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CHAPTER XXIII UP CHAPTER XXV CHAPTER XXIV Miss Stacy and Her Pupils Get Up a Concert It was October again when Anne was ready to go back to school--a glorious October, all red and gold, with mellow mornings when the valleys were filled with delicate mists as if the spirit of autumn had poured them in for the sun to drain--amethyst, pearl, silver, rose, and smoke-blue. The dews were so heavy that the fields glistened like cloth of silver and there were such heaps of rustling leaves in the hollows of many-stemmed woods to run crisply through. The Birch Path was a canopy of yellow and the ferns were sear and brown all along it. There was a tang in the very air that inspired the hearts of small maidens tripping, unlike snails, swiftly and willingly to school; and it WAS jolly to be back again at the little brown desk beside Diana, with Ruby Gillis nodding across the aisle and Carrie Sloane sending up notes and Julia Bell passing a "chew" of gum down from the back seat. Anne drew a long breath of happiness as she sharpened her pencil and arranged her picture cards in her desk. Life was certainly very interesting. In the new teacher she found another true and helpful friend. Miss Stacy was a bright, sympathetic young woman with the happy gift of winning and holding the affections of her pupils and bringing out the best that was in them mentally and morally. Anne expanded like a flower under this wholesome influence and carried home to the admiring Matthew and the critical Marilla glowing accounts of schoolwork and aims. "I love Miss Stacy with my whole heart, Marilla. She is so ladylike and she has such a sweet voice. When she pronounces my name I feel INSTINCTIVELY that she s spelling it with an E. We had recitations this afternoon. I just wish you could have been there to hear me recite `Mary, Queen of Scots. I just put my whole soul into it. Ruby Gillis told me coming home that the way I said the line, `Now for my father s arm, she said, `my woman s heart farewell, just made her blood run cold." "Well now, you might recite it for me some of these days, out in the barn," suggested Matthew. "Of course I will," said Anne meditatively, "but I won t be able to do it so well, I know. It won t be so exciting as it is when you have a whole schoolful before you hanging breathlessly on your words. I know I won t be able to make your blood run cold." "Mrs. Lynde says it made HER blood run cold to see the boys climbing to the very tops of those big trees on Bell s hill after crows nests last Friday," said Marilla. "I wonder at Miss Stacy for encouraging it." "But we wanted a crow s nest for nature study," explained Anne. "That was on our field afternoon. Field afternoons are splendid, Marilla. And Miss Stacy explains everything so beautifully. We have to write compositions on our field afternoons and I write the best ones." "It s very vain of you to say so then. You d better let your teacher say it." "But she DID say it, Marilla. And indeed I m not vain about it. How can I be, when I m such a dunce at geometry? Although I m really beginning to see through it a little, too. Miss Stacy makes it so clear. Still, I ll never be good at it and I assure you it is a humbling reflection. But I love writing compositions. Mostly Miss Stacy lets us choose our own subjects; but next week we are to write a composition on some remarkable person. It s hard to choose among so many remarkable people who have lived. Mustn t it be splendid to be remarkable and have compositions written about you after you re dead? Oh, I would dearly love to be remarkable. I think when I grow up I ll be a trained nurse and go with the Red Crosses to the field of battle as a messenger of mercy. That is, if I don t go out as a foreign missionary. That would be very romantic, but one would have to be very good to be a missionary, and that would be a stumbling block. We have physical culture exercises every day, too. They make you graceful and promote digestion." "Promote fiddlesticks!" said Marilla, who honestly thought it was all nonsense. But all the field afternoons and recitation Fridays and physical culture contortions paled before a project which Miss Stacy brought forward in November. This was that the scholars of Avonlea school should get up a concert and hold it in the hall on Christmas Night, for the laudable purpose of helping to pay for a schoolhouse flag. The pupils one and all taking graciously to this plan, the preparations for a program were begun at once. And of all the excited performers-elect none was so excited as Anne Shirley, who threw herself into the undertaking heart and soul, hampered as she was by Marilla s disapproval. Marilla thought it all rank foolishness. "It s just filling your heads up with nonsense and taking time that ought to be put on your lessons," she grumbled. "I don t approve of children s getting up concerts and racing about to practices. It makes them vain and forward and fond of gadding." "But think of the worthy object," pleaded Anne. "A flag will cultivate a spirit of patriotism, Marilla." "Fudge! There s precious little patriotism in the thoughts of any of you. All you want is a good time." "Well, when you can combine patriotism and fun, isn t it all right? Of course it s real nice to be getting up a concert. We re going to have six choruses and Diana is to sing a solo. I m in two dialogues--`The Society for the Suppression of Gossip and `The Fairy Queen. The boys are going to have a dialogue too. And I m to have two recitations, Marilla. I just tremble when I think of it, but it s a nice thrilly kind of tremble. And we re to have a tableau at the last--`Faith, Hope and Charity. Diana and Ruby and I are to be in it, all draped in white with flowing hair. I m to be Hope, with my hands clasped--so--and my eyes uplifted. I m going to practice my recitations in the garret. Don t be alarmed if you hear me groaning. I have to groan heartrendingly in one of them, and it s really hard to get up a good artistic groan, Marilla. Josie Pye is sulky because she didn t get the part she wanted in the dialogue. She wanted to be the fairy queen. That would have been ridiculous, for who ever heard of a fairy queen as fat as Josie? Fairy queens must be slender. Jane Andrews is to be the queen and I am to be one of her maids of honor. Josie says she thinks a red-haired fairy is just as ridiculous as a fat one, but I do not let myself mind what Josie says. I m to have a wreath of white roses on my hair and Ruby Gillis is going to lend me her slippers because I haven t any of my own. It s necessary for fairies to have slippers, you know. You couldn t imagine a fairy wearing boots, could you? Especially with copper toes? We are going to decorate the hall with creeping spruce and fir mottoes with pink tissue-paper roses in them. And we are all to march in two by two after the audience is seated, while Emma White plays a march on the organ. Oh, Marilla, I know you are not so enthusiastic about it as I am, but don t you hope your little Anne will distinguish herself?" "All I hope is that you ll behave yourself. I ll be heartily glad when all this fuss is over and you ll be able to settle down. You are simply good for nothing just now with your head stuffed full of dialogues and groans and tableaus. As for your tongue, it s a marvel it s not clean worn out." Anne sighed and betook herself to the back yard, over which a young new moon was shining through the leafless poplar boughs from an apple-green western sky, and where Matthew was splitting wood. Anne perched herself on a block and talked the concert over with him, sure of an appreciative and sympathetic listener in this instance at least. "Well now, I reckon it s going to be a pretty good concert. And I expect you ll do your part fine," he said, smiling down into her eager, vivacious little face. Anne smiled back at him. Those two were the best of friends and Matthew thanked his stars many a time and oft that he had nothing to do with bringing her up. That was Marilla s exclusive duty; if it had been his he would have been worried over frequent conflicts between inclination and said duty. As it was, he was free to, "spoil Anne"--Marilla s phrasing--as much as he liked. But it was not such a bad arrangement after all; a little "appreciation" sometimes does quite as much good as all the conscientious "bringing up" in the world. CHAPTER XXIII UP CHAPTER XXV 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 20 55 (Tue)
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【登録タグ EarlGray つ ハルトマンの妖怪少女 古明地こいしの添い寝ディスク 曲 門脇舞以】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; 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このmodの良いところは他のmodと違い、既にインストールされているminecraftに干渉しない点です なので安心して導入することが出来ます VideoSettingもdefaultMinecraftより項目が細かいので低スペの人は助かるのではないでしょうか? ダウンロードはこちらから 鯖が重いと思ったら → options → videosettings の「Optimize Video Setting」を グラフが邪魔です → videosettingsの「Debug Info」をFastに 又 videosettingsのautosaveを「2sec」に、これをしないと鯖を再起動した時にアイテムをロストする可能性が高くなります exeのダウンロードをお勧めします、使用メモリの設定もプログラム内で可能 このMODから家の鯖に入るとカスタムサウンドが聞けたり オリジナルGUIが使えたりなど様々な追加機能を楽しめます 12.8現在、正式版ではないのですがspoutを導入しました よってclientからoptionからdev版のアップデートを行ってください ちなみにこのMODを入れなくても鯖で遊ぶことは出来るので別にいいって人はそのままで /
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Side K 部屋に着いて、無事に着いたよーってメールしてみたら ちゃんとお帰り〜って返信してくれた なんかそれだけで嬉しかった それからも、毎日メールのやりとりは欠かさなかった これが、遂この間まで全然返信してこなかった人と同一人物とは… Side N 毎日のメールから、ゆかちゃんの誕生日が12月23日という情報を入手 その日にゆかちゃんの町へ行く事に決定した 駅に着いてから電話しようと思ってたら、ゆかちゃんが迎えに来てくれてた 「ゆかちゃん、来てくれたの?」 「別に、他にすることもなかったし…」 薄っすら頬を染めて、そっぽを向くゆかちゃん 「ずっと、待ってたんだから…」 これは、もしやあ〜ちゃん同様、ゆかちゃんツデレンですか? 「ありがとw」 ゆかちゃんの腕をくいっと引っ張って、引き寄せる 「あたしも会いたかった」 ゆかちゃんの家に行く前に、寄り道しながら色んな話をしてくれる 公園とか通っていた校舎、線路や川 ゆかちゃんの思い出をたくさん話してくれた 「でね?夏に友達と川で遊んで濡れて帰った時、両親にすっごく怒られちゃって…。もし、そこで発作が起きたらどうするの!って…泣きながら怒ってて…。」 そりゃ心配するよね 「でもさ、高校生の時って、自分のしたいことしたいでしょ?だから、どうせそのうち死んじゃうじゃん…て、やりたいことやらせてよって…。その時の自分の気持ちばっかり考えて、親の気持ちなんて考えてなくて…。」 ゆかちゃんの気持ちも分かる 「お母さん泣き崩れちゃって、それ見たらさすがに…ね。言い過ぎたなと思ったんだけど、すぐに謝れなくて…ホント子供だよねw」 へへへwって恥ずかしそうに笑うゆかちゃん 「そんなことないよ…」 自分がいつ死ぬかも分からない、そんな状況でゆかちゃんは生きてきたんだ 「あ、うちココ」 ゆかちゃんは今一人暮らししてるんだって 「自宅もすぐ近くなんだけどねwやっぱり両親は心配みたいで…」 「ゆかちゃんのこと大切なんだよ」 「うん、分かってる」 初めて上がらせて貰う部屋 だけど、なんとなく見慣れた物が置いてある 所々にあるピンクの小物 ふと手にとって見ると 「あ、それ、多分あ〜ちゃん」 「え?」 「手術してからだもん。ピンク系好きになったのw」 「あ、そうなんだw」 あ〜ちゃんの部屋はピンクで溢れてたなぁ… 「それから、私片付け苦手だったんだけど、すっごい収納上手んなっちゃった」 「あ〜、あ〜ちゃんだわぁw」 やっぱり、二人は一人だ どうやったって切り離せない… ちょっとだけヤキモチ たぶん、両方に… だから、座ってるゆかちゃんの後ろからギュッと抱きしめた なぜか強張ったゆかちゃん 「どうしたの?」 「この間のっちに、抱いてよって言ってたけど…」 「…うん」 「ホントは怖いんだ…」 「何が?」 「痕、全部、見せるの」 「結構、生々しい、から…」 「初めてシた時、好きな人に、萎えるって言われて…」 「はぁ?」 なんだそいつ? 「だから、それ以来、嫌われちゃうんじゃないかって思って」 「なに言ってんの!それは、ゆかちゃんが一生懸命生きた証じゃん!」 思わず力が入っちゃった… だって、ゆかちゃんがどんな想いで生きてきたか、それ考えたらさ… 「あ〜ちゃんも同じこと言ってたw」 「へ?」 「彼に言われた時…多分、あ〜ちゃんが初めて出てきた時じゃないかな?そう言って彼のこと怒ってくれたの」 「あ、そうなんだw」 ナイスあ〜ちゃん! 「まぁ、彼は訳もわからずに出てったけどね。なんだおまえ?みたいな感じだったw」 「あ、あ〜ちゃんw」 「私もあ〜ちゃんだって知らなかったし?変な病気かと思ったよw」 あ〜ちゃん病w 「だからね?好きな相手ほど怖いの…」 「…大丈夫だよ。ゆかちゃんのキズ一つで嫌いになんてなれないよ」 ゆかちゃんはぎゅぅっと、胸元の洋服を握りしめた —つづく—
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『A fun quarterly magazine all about macaroni art and things you can make by supergluing found objects together.』 対象スキル 製作 スキル要求値 0 スキル上昇限界 1 知性要求値 5 読書時間 8分 意欲増減 +2 レシピ数 0 エキサイト翻訳 すべてのマカロニ芸術とあなたが一緒に見つかったオブジェクトをsupergluingことで作ることができる事柄についての楽しい季刊誌。 14/11/19 0.A
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After the battle, an eerie silence gripped the forest. The losers remains were lightly dusted with green. レジェンド imageプラグインエラー ご指定のファイルが見つかりません。ファイル名を確認して、再度指定してください。 (Moss Monster2.jpg) 戦いの後に、不気味な静寂が森を覆った。敗者の遺体にはうっすらと緑色の埃がかぶっていた。 After the battle, an eerie silence gripped the forest. The losers remains were lightly dusted with green. 第8版 【M TG Wiki】 名前
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ステージLevel4-5クリアで購入可 雑感 Module Type Engines Cell Type Yellow×3 付随オプション Cooldown Time Energy Cost Weight ゲーム内情報 Energy Consumption +9(機体サイズにより増減) Weight 90 価格表 ※数字単位はcr ※( )内はSmugglerでの購入価格 オプション 赤-2 赤-1 赤 無 緑 紫 金 購入価格 - - - 1100 1374 1650 (☆4) (☆6) 売却価格 92 206 248 275 344 413 550 EngineerでのCreate及びUpgradeコスト一覧表 ※数字単位はcr Create コスト Blueprint使用 687 Star消費 687+☆2 Upgrade ※()内数字は赤→緑オプションにアップグレードする際の☆コスト 赤-1 赤 緑 紫 金 同一クオリティオプション合成 - - 343 412 550 Blueprint使用 - - 687 825 1100 Star消費 ☆2 ☆2 ☆3(2) ☆3 ☆5 アップグレード後の売却額 206 248 344 413 550
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【登録タグ 709sec. F Nana Takahashi SOUND HOLIC デザイアドライブ 古きユアンシェン 曲 神 -KAMUI-】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
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